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The Soul of Hand Block Printing: A Parvai Perspective

The Soul of Hand Block Printing: A Parvai Perspective

The Soul of Hand Block Printing: A Parvai Perspective

The Soul of Hand Block Printing: A Parvai Perspective

Observations from Our Time in Jaipur, Sanganer & Bagru I. Where Water Flows, Craft Follows Traditionally, wherever water touched the soil of Rajasthan, a craft took root. Natural water bodies—...

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Pernulo

Pernulo

The Pearl A pearl, derived from the Latin term "Pernulo," is also known as "Margarite," a name rooted in ancient Persian and Sanskrit, which translates to “son of the sea.” These stunning organic g...

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The  Antiquity Of Brass

The Antiquity Of Brass

Brass jewelry has adorned humanity for thousands of years, connecting ancient civilizations to modern fashion. This versatile alloy, combining copper's warmth with zinc's durability, creates beauti...

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COLOURS FOR THE SOUL

COLOURS FOR THE SOUL

The historical evolution of Indian textiles is marked by a remarkable synthesis of plant and animal fibers interwoven with mineral and botanical pigments sourced from the diverse ecosystems across ...

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Parvai's Padma

Parvai's Padma

The exquisite art of woven embellishing At Parvai, we hold a profound belief that the essence of any handcrafted product transcends its physical form, rooted deeply in the creative journey and intr...

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Auspicious Kalyani

Auspicious Kalyani

In this article, we discuss what Parvai feels adds to the auspiciousness of a sari. We have identified 5 factors which we feel are vital to make a sari feel auspicious these include: The usage of ...

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All The Glitters Is Not Gold - Parvai's Perspective To Real Zari

All The Glitters Is Not Gold - Parvai's Perspective To Real Zari

What does real zari mean to a patron today? Is it still relevant to choose real zari? And how can patrons today choose the zari purity that works best for them? Presenting Parvai's perspective to z...

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The Story of Devanshi
AHC Foundation

The Story of Devanshi

One of the distinguishing feature about Parvai is our eagerness to work on commissioned projects. And we are not talking about changing the body color or minor changes to pallu formats, but when we...

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SAMVAAD – IN CONVERSATION WITH VIDHYA RAGHUNATHAN

SAMVAAD – IN CONVERSATION WITH VIDHYA RAGHUNATHAN

This interview with our patron Vidhya Raghunathan from USA covers three important aspects of her life. Her past (and how sari has come to symbolize her personal identity), her present (how she shop...

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AMUDHA – A PERSPECTIVE TO TECHNIQUE

AMUDHA – A PERSPECTIVE TO TECHNIQUE

What does it take for a sari to be displayed in museums, discussed in books & spoken about with reverence. Is it the colours, motifs & designs? Or is it the construction, technique & pe...

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